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Post-Baroque sublime? The Case of Peter Ackroyd (+)

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oai:dialnet.unirioja.es:art0000004687

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Tradition and the (Re)Writing of Poetry in Roman Script by Derek Mahon (+)

asociacion española estudios irlandeses aedei tradition re

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oai:dialnet.unirioja.es:art0000066728

 

The Moor's Last Sight: Spanish-Moorish exoticism and the gender of history in British Romantic poetry (+)

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oai:dialnet.unirioja.es:art0000018056

 

Was the Classical Tradition Betrayed by J. Ivory¿s Adaptation of E.M. Forster's Maurice? (+)

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oai:dialnet.unirioja.es:art0000034882

 

Exorcismo y literatura: Pervivencia de las fórmulas de identificación demoníaca en la literatura occidental (+)

universidad complutense servicio publicaciones universidad

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oai:dialnet.unirioja.es:art0000110906

 

Men don't have nothing like virginity: migration, refraction, and black masculine performance in Austin Clarke's "The Question" (+)

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oai:dialnet.unirioja.es:art0000051677

 

Music, Mind and Meaning (+)

mind meaning speculating about cognitive aspects listening music essay discusses how metric

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oai:dspace.mit.edu:1721.1/6345

 

Robert Henryson's Orpheus and Eurydice: A Northern Humanism? (+)

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oai:oxfordeprints.oai2:236

 

Instrumental With and the Control Relation in English (+)

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oai:dspace.mit.edu:1721.1/6328

 

Wendy Cope's use of parody in ?Making Cocoa for Kingsley Amis (+)

zaragoza departamento filologia inglesa alemana universidad zaragoza prensas

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oai:dialnet.unirioja.es:art0000004592

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