This paper reads Joseph Mankiewicz's film A Letter to Three Wives (1948) as a reflexive work of art which evinces a self-conscious use of the conventions of film narrative
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ENTIDAD: Universidad de Zaragoza: Departamento de Filología Inglesa y Alemana , Universidad de Zaragoza: Prensas Universitarias de Zaragoza
IPHS: oai:dialnet.unirioja.es:ART0000004547
Irony and ambiguity in the narrator of "A letter to three wives"
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This paper reads Joseph Mankiewicz's film A Letter to Three Wives (1948) as a reflexive work of art which evinces a self-conscious use of the conventions of film narrative. The modernist problematization of the classical text, resulting in irony and ambiguity, is analyzed through a narratological approach to such devices narration and plot construction, temporal structure, voice-over and focalization.
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irony and ambiguity in the narrator of "a letter to three wives" (Responsables)
Deleyto Alcalá, Celestino
irony and ambiguity in the narrator of "a letter to three wives" (documentos)
Miscelánea: A journal of english and american studies, ISSN 1137-6368, Nº 12, 1991, pags. 47-60
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